Revolutionary building material developed at Materials & Engineering Research Institute, Sheffield Hallam University

Liquid Granite is not only capable of withstanding temperatures in excess of 1100 degrees Celsius, but it also maintains its heat adversity for longer and won’t explode at extreme temperatures like traditional concrete.

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What’s more, the bulk of it is made from recycled materials and it contains less than one third of the cement used in precast concrete, reducing its carbon footprint and making it a greener alternative to current materials.

Made up of between 30 and 70 per cent recycled industrial base product, Liquid Granite can be poured much in the same way as regular concrete, making it ideal for fireproofing hard to reach areas such as the gaps between electrical conduits and ventilation ducts, where traditional fire-resistant materials can be awkward to use.

Professor Pal Mangat, director of CIM, helped to develop Liquid Granite. ‘Liquid Granite is a very versatile material that can be used in a similar way to concrete,’ he said.

‘The fact it has a high level of fire resistance means that it can be used in areas where fire safety is crucial, such as around power stations, and in domestic and commercial buildings can offer added time for evacuation in case of an emergency.

‘The product replaces most of the cement in standard concrete with a secret formula of products to change the basic properties of the material. I believe it has great potential for the future.’

The product has now been licensed to, and is being marketed by, RoystonbasedLiquid Granite Ltd, a joint venture set up by Total Firestopping Solutions Ltd and North Barnsley Partnership Ltd.

Bob Richards from Liquid Granite said, ‘There has already been a great deal of interest from the building industry about this product, and it has been supplied onto projects such as the Olympic Village and Stratford Shopping Centre in London in the form of fire rated lintels manufactured by King Stone Products.

‘It will really make a difference to the safety of our buildings and could potentially save lives.’

Taken from: https://www.shu.ac.uk/research/meri/news/revolutionary-new-building-material-developed-meri

Argent targets architects for Manchester’s Airport City

Developer behind King’s Cross Central sets out vision £800m project

The chancellor George Osborne has signalled the start of a major new development in Manchester which will create a host of opportunities for architects.

The £800 million project at Airport City in Manchester is being backed by a joint venture including Argent for which architects 5Plus have drawn up a masterplan. But Argent chief David Partridge has also promised further work for practices.

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Aerial view

“Over the next decade we will be designing and delivering over 70 new buildings across the development,” he said. “The trick is to commission architects who can create interesting and diverse buildings which also fit within the overall vision.”

A series of design charettes will take place over the next year, where architects will be invited to work alongside the developers and 5Plus.

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Public realm

“Through this we will create a panel of firms who will then, over time, be invited to design different buildings,” said Partridge.

Outline planning permission was granted Airport City at the start of the year and today (Sunday) Osborne formally confirmed the joint venture which also includes Manchester Airport Group, Carillion, Beijing Construction and Engineering Group and Greater Manchester Pension Fund.

Taken from: http://www.bdonline.co.uk/argent-targets-architects-for-manchesters-airport-city/5062038.article

Civic Square for Leicester

Plans for a new £4 million public square on the site of an existing car park in the centre of Leicester have been approved by Leicester City Council’s planning committee.

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The proposals would see the car park replaced by a new civic square complete with lawns, hard landscaped events area and a sculptural boundary with perforated lighting panels.

Working for the council, independent design, environment and energy consultancy LDA Design, has developed its concept design from inception to a full construction package for delivery on site during the summer.

The scheme, to be called Jubilee Square, would create a new public space close to the cathedral alongside numerous other public realm improvements nearby, including the Richard III visitors centre. The project is part of the council’s wider Connecting Leicester vision to create a thriving heart to the city, and reconnect key areas for pedestrians and cyclists, including: shopping, leisure, housing, transport facilities, and heritage. It has been championed personally by Leicester City Mayor, Sir Peter Soulsby.

Rob Aspland, Director at LDA Design said: “We are delighted that the scheme has been given the go-ahead. It will completely transform this part of the City Centre and will bring together some of Leicester’s real jewels, stitching together the medieval Cathedral and Guildhall, the Roman Jewry Wall, and the Magazine and Castle. Set within such a strong collection of heritage buildings the design of the space is purposefully simple, modern and clean-lined.”

The council hopes that Jubilee Square will completed in time for the opening of the city’s new King Richard III visitor centre, at St Martins Place, and the proposed re-interment ceremony at Leicester Cathedral in spring 2014.

Connecting Leicester:http://citymayor.leicester.gov.uk/welcome/connecting-leicester/

Source: http://architectnews.co.uk/index.php?option=com_k2&view=item&id=485:civic-square-for-leicester&Itemid=90

Construction underway on latest Culver City scheme by SCI-Arc Director Eric Owen Moss

Last month, WAN visited Los Angeles and met with Founder of Eric Owen Moss Architects and Director of SCI-Arc (The Southern California Institute of Architecture) Eric Owen Moss. Moss is one of the biggest hitters of the LA architecture scene and WAN was delighted to be given a personal tour around some of the inspirational architect’s upcoming projects.

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The latest is a three-stage scheme currently under construction in Culver City. Comprised of a remodeled warehouse (completed in 2011), The Cactus Tower and The Waffle, the development exudes the characteristically expressive style of Moss whose projects have gained a strong following for their offbeat nature.

The Cactus Tower is the inventive reuse of an aging industrial press, whose press and sheet metal enclosure have been removed. The remaining 55ft-high steel frame has been outfitted with five trusses 30ft in the air with 28 steel pots inserted in a new ‘green structure’. Nestled within these pots are cacti which create a unique focal point for office workers nearby and form a canopy for the informal meeting area beneath. This adaptive reuse of a 60-year-old industrial press into an elevated garden is a fine example of Moss’ artistic genius.

Additional meeting space will be afforded by The Waffle which is also under construction. With an open conference area, mezzanine lounge and informal gathering space, closed meeting rooms, and an open roof deck, The Waffle will be a prime commercial venue for creative industries once complete later this year. It’s highly textured surface is formed of a grid of vertical and horizontal louvres with in-fill glass panels, ordered to form an undulating silhouette.

The firm’s project description details: “Whereas the Cactus Tower retains its orthogonal aspect, the Waffle reformulates that orthogonal argument with a shape surface that undulates first briefly, subtly, then substantially, back to briefly, then back to the orthogonal model as the external building surface transitions from tower bottom to top. One tower is traditionally vertical. The other ‘slumps’”.

As the curve of the façade steepens, so the louvres move closer together and similarly, as the curve flattens out, so the space between the louvres becomes wider. The Waffle tower begins and ends with an identical orthogonal plan to The Cactus Tower however in the interim, it rotates anticlockwise at the base and reciprocally clockwise at the top, before returning to the original right angle plan grid which the two towers share. Construction of The Waffle is due to complete in September 2013.

Source: http://www.worldarchitecturenews.com/index.php?fuseaction=wanappln.projectview&upload_id=22354

Battersea power station, consumed by the march of London’s luxury linear city

As flats in the historic landmark go on sale, the capital loses one of the last buildings to defy the Thameside yuppiedromes.

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‘The magnificent hulk of Battersea power station, a remarkable contrast to the endless green glass, terracotta and wavy roofs.’ Photograph: 223210/Getty Images/Flickr RF

Along the Thames a vast linear city was built in the 2000s, without ever being officially planned, announced or publicised. Briefly interrupted by central London’s historic riverside buildings, to the east it starts at the Millennium bridge, to the west at Vauxhall bridge, with the apparition of the huge, hideous and expanding St George’s Wharf complex. This linear city is a buy-to-let paradise, an almost endless enfilade of green glass, terracotta and wavy roofs, the boom’s most visible legacy in London, blocking and defining the river. Only a handful of structures really stand in its way and interrupt it – the largest of them by far the rotting and magnificent hulk of Battersea power station, its stock-brick solidity a remarkable contrast to the Trespa all around. Except now, it’s being pulled back in, as surely as the warehouses-cum-penthouses of Shad Thames, as part of perhaps the final big riverside development. A tube extension, bizarrely considered a priority by central government, has dragged this last post-industrial waste back into service. The flats went on sale two days ago, instantly snapped up by investors undeterred by the massive price tag.

This is some sort of final triumph for the creators of the buy-to-let linear city, as Battersea power station has been an obstacle for a very long time. The power station has, ever since it was decommissioned in the early 1980s, been the object of feverish land speculation. Instead of generating electricity, it generates money for its successive owners, and generates largely ill-advised architectural plans. Since 1983 it has lived a phantom life in blueprints, drawings and renders. It has been a theme park, a shopping mall and a mixed-use museum-cum-retail hangar, ringed in every case by riverside luxury housing. Developers have usually bought up the site, sat on it until it became more and more valuable, then sold up and moved on. A book could be written about these dealings, and the strange impasses that they usually entail – one developer, Hong Kong-based Parkview, sat on the place for 13 years. The last owners, imaginatively named Irish developers Real Estate Opportunities, pulled out in 2012 after a relatively swift five years. Much has happened to Battersea in the courts, but little has been done to the building itself, save for the disastrous removal of the roof as part of the theme park proposal, meaning that the place is corroded and flooded, to the fury of conservationists. A local community group advocating social housing on-site has been similarly ignored. Yet in all the proposals and counter-proposals, few imagine that it could be a power station.

It now seems self-evident that a Thameside site such as this should become part of the new luxury linear city – the notion that its use should be industrial is seen as practically 19th-century. The sheer expense of restoring the Grade II listed building and its scrubby, poisoned hinterland means that the costs have to be offset by some kind of money-spinning ballast, generally meaning that a structure now in splendid isolation be hemmed-in with yuppiedromes, and the turbine hall become a shopping mall. In the process, electricity, like any other industrial process, becomes even more something faintly magical for Londoners. We don’t know where it comes from, we are not supposed to see its process or production. It could be made in China for all we know. The last developers briefly proposed a biomass power station in part of the building’s shell – largely, it seems, in order to generate some picturesque steam from the chimneys – but it was an idea more interesting than all the starchitect interventions proposed for the last 30 years.

The same developers donated a sum of cash to the Conservative party during their period of speculating on the power station. So, serendipitously, the Tories’ 2010 election launch party was held here, on an industrial site where nothing is produced, upon a swath of dereliction at the heart of a great capital, on a locus of highly dubious real estate dealings. As a metaphor for the country the Tories had redefined over the 30 years since decommissioning, it was a satirist’s dream. But now, a sort of psychic boundary has obviously been passed – it must really be happening if people are buying the flats. The march of the new Thameside city rolls on, undeterred by recession and crisis. Just over the river is another brief rift in the landscape of aluminium balconies and terracotta cladding. Churchill Gardens is a council estate built on the river from 1946 onwards. The two are directly linked by the estate’s district heating system, which ran on spare heat from the power station. It’s a fragment of a welfare state London, the London of the LCC and local authorities, 1,600 homes for those who wouldn’t be able to afford to live in even the “social” part of a new riverside scheme. They’re a glimpse of a different Thames altogether.

Source: http://www.guardian.co.uk/commentisfree/2013/jan/11/battersea-power-station-linear-city